Pablo Picasso, The Bull, state VII (Le Taureau),
December 26, 1945, lithograph,
December 26, 1945, lithograph,
composition 12 x 17 1/2 in. (30.5 x 44.4 cm),
sheet 12 15/16 x 17 1/ in. (32 x 44.4 cm),
The Museum of Modern Art, New York
sheet 12 15/16 x 17 1/ in. (32 x 44.4 cm),
The Museum of Modern Art, New York
Visit the Museum of Modern Art now. There are crowds but it is worth the hassle. The Museum is chock full of exciting shows several of which are closing shortly. High on the “must see” list is the Picasso print exhibit, Themes and Variations (till August 30). Drawn from the MoMA’s own holdings, over hundred works of the highest quality illuminate the artist’s unequaled talent in this medium. You will not be bored.
Mark Rothko, Archaic Idol, 1945,
ink and gouache on paper,
21 7/8 x 30 in. (55.6 x 76.2 cm),
The Museum of Modern Art, New York
ink and gouache on paper,
21 7/8 x 30 in. (55.6 x 76.2 cm),
The Museum of Modern Art, New York
Also nearing closure is The Modern Myth: Drawing Mythologies in Modern Times (till August 30). These works on paper, also from the Museum’s own collection, explore the idea and visual imagery of myths and mythmaking. The all star cast of artists include Paul Cezanne, Arshile Gorky, Jackson Pollack and Andy Warhol. It's an intriguing and thought provoking show.
Bruce Nauman’s site specific piece Days (till August 23), a recent MoMA acquisition, seems to make sound physical. Experiencing this work becomes a contemplation of time. Nauman created Days for the 2009 Venice Biennale when he represented the United States. Presently set up in the Museum’s special exhibition gallery, it won’t be there for long. When it will be seen again is unknown. So go.
The Young Architects Program 2010 (till August 23) presents the project designs of the five finalists for the MoMA PS 1 temporary summer courtyard installation. The innovative plans of these young teams evoke joyful excitement. Judging from their work, architecture has a bright future.
Bruce Nauman’s site specific piece Days (till August 23), a recent MoMA acquisition, seems to make sound physical. Experiencing this work becomes a contemplation of time. Nauman created Days for the 2009 Venice Biennale when he represented the United States. Presently set up in the Museum’s special exhibition gallery, it won’t be there for long. When it will be seen again is unknown. So go.
The Young Architects Program 2010 (till August 23) presents the project designs of the five finalists for the MoMA PS 1 temporary summer courtyard installation. The innovative plans of these young teams evoke joyful excitement. Judging from their work, architecture has a bright future.
Henri Matisse, Bathers by a River, March 1909-10,
May-November 1913,and summer 1916-17,
oil on canvas, 102 1/2 x 154 3/16 in. (260 x 392 cm),
The Art Institute of Chicago, Chicago, Illinois
May-November 1913,and summer 1916-17,
oil on canvas, 102 1/2 x 154 3/16 in. (260 x 392 cm),
The Art Institute of Chicago, Chicago, Illinois
There is more going on at MoMA. Although the Matisse exhibit, Radical Invention, 1913 -1917 (till October 11) doesn’t end in August, seeing this master’s inventiveness and Picasso’s makes for a stimulating comparison. Who wins? You decide.
Viewing hints: MoMA is open late on Thursdays in August until 8:45 p.m. and may be less crowded as well on Friday afternoons before free MoMA Fridays begin at 4:00 p.m.
Viewing hints: MoMA is open late on Thursdays in August until 8:45 p.m. and may be less crowded as well on Friday afternoons before free MoMA Fridays begin at 4:00 p.m.
TheMuseum of Modern Art
11 West 53rd Street, Manhattan
Saturday, Sunday, Monday, Wednesday, 10:30 a.m. - 5:30 p.m.
Thursday, 10:30 p.m. - 5:30 p.m.
11 West 53rd Street, Manhattan
Saturday, Sunday, Monday, Wednesday, 10:30 a.m. - 5:30 p.m.
Thursday, 10:30 p.m. - 5:30 p.m.
(open until 8:45 p.m. every Thrusday in August and on September 2 and October 7)
Friday, 10:30 a.m. - 8 p.m.
Closed Tuesday
Friday, 10:30 a.m. - 8 p.m.
Closed Tuesday